Before the war, Ekmečić was an academic painter whose subjects ranged from nudes to landscapes and panoramas. In 1992, in a time in which an artist was not allowed to keep silent, he became a war artist for the urge of documenting the destruction of his country
A "war for truth" is being fought today in Bosnia and Herzegovina – a clash based on ethnic competition, with words and stories about the past as the main weapons
Next July, the fourth summit of the Western Balkans will take place in Trieste. The RECOM coalition looks at the event as an occasion for revival and has gathered thousands of signatures from citizens of the region
From next autumn, in several European countries, an art exhibition will seek to address the relationship between the value and problematics of testimony as an instrument to understand the past
Commemorative practices, European memory, processes of victimization: an interview with Vjeran Pavlaković, Associate Professor at the Department of Cultural Studies at the University of Rijeka
The Yugoslav dissolution wars are often considered a marginal chapter in European history, but the testimonies of many Italian citizens return the memory of conflicts that went far beyond the boundaries of the countries involved
How do we remember the conflicts of the 1990s? A question to which the academic world, in southeastern Europe but not only, dedicates increasing attention. An overview
A museum that seeks to project a transnational vision of European history. An ambitious project that has not escaped controversy and criticism. An interview with director Taja Vovk van Gaal
A general who refuses to fight to the last man, a soldier who saves the life of a soldier considered an enemy. What space is there in the public memory for these testimonies?